Later (#NaPoWriMo2017 – Day One)

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     Two pine trees stand next to each other, like best friends who have walked next to each other for a lifetime — buddies, pals, comrades.  I can practically visualize their outstretched hands, in the form of a hammock, reaching to each other in perfect backyard bliss. Immediately, I know that I must go shopping. Several stores later, I find the colorful hammock that promises rest and relaxation.  The tropical colors sing Caribbean beaches and mango-flavored moments.  This is the one.  I buy it, bring it home, and put it in the garage.  It is getting dark and there are papers to grade, dishes to wash, and laundry to fold.  The afternoon of spring warmth and hope sets with the sun, and the hammock will get hung up the next time I have an hour to spare.


Backyard hammock bliss —
Roped between trees and wishes —
To enjoy “someday.”

“The haibun is a combination of prose and haiku. It was originally developed as a sort of travelogue or character sketch , in which the writer would first describe a place in prose, and then pen a haiku appropriate to the place or scene.”  –  (This was actually the prompt from 3/31, not the one for 4/1, but that’s okay.)  http://www.napowrimo.net/

Later

When I Grow Up, I want to be a Fire Truck

screen-shot-2017-02-10-at-6-22-30-pmFire truck

I remember looking through
an old childhood book,
In which I had added
My two cents.
With all of my sense,
And my backward-letter
Penmanship, I had plotted
my plans
on the page.

“When I grow up
I want to be
a firetruck.”

Since then,
I had laughed at
Such silly, sophomoric
Sentiment.

“Look,” I’d say, and point
at my self-prescribed,
Pre-school script.
“I really took it to heart
When they told me I could be
Anything I wanted.
A firetruck?
What could I have
Been thinking?”

But, tonight,
As I listed and lamented
The long list of
Other occupations

I had once considered:

Interior designer,
Psychologist,
Cultural anthropologist,
I realized something. . .

Haven’t I since,
In a sense,
Become all of these things?

Except for the fire truck.

But that, perhaps, is
What I am to become.

I still
Want to be
A fire truck!

You see, of a fire truck,

Nobody has ever said:

“Don’t listen to her,
she’s just overreacting.”

“He’s making all of that noise,
Because he didn’t get his way.”

When fire truck wails and screams,
nobody says:

“She has become angry and bitter.”

“Maybe he wants something to really cry about.”

“She’s probably about to get her period.”

“He’s being irrational and crazy.”

As the fire truck
Declares an emergency,
Nobody dismisses it with:

“I don’t know why she is crying. It was her own fault.”

“There he goes, getting all political again.”

“She has no reason to be upset.
She is just being manipulative.”

“Dude, seriously?
Are you complaining again?”

But, a fire truck is respected,
Heard, heeded, honored.

The fire truck is a warrior,
Shouting out
An alarm call,
A barbaric yawp,
A siren cry to save lives.

The fire truck is
not a second-hand good.
Not a victim,

A fire truck is not
Something to be seen and not heard,
But instead,
Is a voice.
A voice that matters.

A voice that pushes through denial
Saying
“Hey!
There is something wrong here.
I can point it out.
I can lead the way.
Hear me.”

I still
Want to be
A fire truck!

 

 

 

 

 

 

 

 

 




 

Forget Fearlessness (for Joanne)

 

I remember that you wanted
to be
fearless,
And I remember
How you seemed
Disappointed in yourself
That you were not as
Fearless
As you expected yourself
To be.

My friend, you are
Not fearless—
Never have been,
Never will.

I know that seems harsh,
But what I am
Trying to say
Is that

You
Are
More
Than
Fearless.

You see,
Fearless lacks fear.

Fearless
does
not see
or acknowledge fear.

At all.

Fearless does not care.

Fearless has no worries.

Fearless is
not concerned.

Fearless doesn’t grapple.

Fearless does
Not
Consider the
consequences.

Fearless does
not require
perseverance or
stamina.

Fearless does
not spend time
to evaluate
or reflect.

Fearless does
Not
Weigh the
Costs
And benefits.

Fearless is for an instant.

Fearless is empty.

You are
Not fearless.

You are brave
And courageous.

Courage is complete.

Courage takes commitment,
Knowing the risks
But acting on
Behalf
Of
others.

Courage is compassionate,
Considering the impact of
The actions,
the inactions,
and
the reactions.

Courage sees fear,
looks it straight in the eye,
Nods with acknowledgement,

And then does
what
Is right.

Courage worries—

Courage loses sleep
And agonizes
While sifting through
What is obvious
In order
To
Find
The truth.

Courage evaluates the options,
Weighing the costs
And benefits.

Courage thinks and reflects,
Constantly soul-searching
And searching souls.

Courage makes a
careful
and brave
decisions.

Courage stands

When it would be easier
To fight
Or to flee.

Courage takes time,
Perseverance,
And stamina.

You are not fearless,
but
you are
Brave
and courageous.

Arlington Heights (NaPoWriMo – Day 29)

I remember days on bicycles
Riding from edge to edge
Of town.

I remember pool passes
The smell of chlorine on our towels
And in our hair.

I remember legendary rounds of
Capture the flag, with every kid
In the neighborhood.

I remember Banbury Road
The one street allowed to angle and curve
Through Scarsdale.

I remember the Frontier Days
Parade, Carnival, music
Then fireworks at the track.

I remember hide-and-seek
In the stacks of books at the
Public library.

I remember Green River sodas
And onion rings at the best restaurant
Eros.

I remember the friendships
That have continued through decades
Real and timeless.

 

Jeep (NaPoWriMo Day 28)

JEEP
Buggy
Four-wheel drive

Plowing over fear,
Playfully cruising through,
Handling wild, worldly weather.

“All-purpose motor vehicle”

“The Clarity Pyramid is a poetry form designed and constructed by Jerry P. Quinn.
A Clarity Pyramid is a poem consisting of two triplets and a single line (7 lines in all). Usually, this poem is center aligned when displayed.
The first triplet has 1, 2, and 3 syllables. The title of the poem is the one-syllable word of the first triplet, which is displayed in all capital letters. This line is followed by a two-syllable line, and then a three-syllable line, both of which clarify the definition of the poem, or are synonyms for the title.
The second triplet has 5, 6, and 7 syllables. Its design is based around a life event contained within the triplet which helps give a poetic view or outlook on the first line (title).
The last line is 8 syllables, and is in quotations as this line contains a quote that defines the first word (title).” http://www.shadowpoetry.com/resources/wip/pyramid.html

Reading (NaPoWriMo Day 27)

New book—
Pages to read,
Plot hook!

The words
Splayed on the page—
Songbirds.

Immerse,
Capture my heart—
In verse.

 

 

The Musette consists of three verses, three lines each. The syllable pattern is 2/4/2.  The rhyme scheme is a/b/a; c/d/c f, and e/f/e.

Bye-Bye Binaries (for Annika)

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We are coming up to the crossroads,
But they look like borders.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

I know your life ain’t been no crystal stair,
And mine has had tacks in it.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We came through,
Seeing past
My privileged poverty
and
Your oppressed opulence.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

The two of us?
We are:
Clover and Anna
Marlee and Liz
T.J.  and Andy
Ella and Z
Wren and Darra
Gabby and David

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

They directed you into a police state,
Leaving me devastated, needing to make a statement.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We are coming up to the crossroads,
But they look like borders.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We will stand up tall
State our case
Hold our heads up high
Lift our voices
Raise our fists

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

Now they understand
Just why our head’s are not bowed.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

 

Into a daybreak that is wondrously clear,
We rise!

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We have come to realize that my destiny is tied up with your destiny.
My freedom is inextricably bound to your freedom.
We cannot walk alone.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We are friends, comrades,
Unapologetically.

What should we do when we get to the crossroads?
They can’t separate us if we’re holding hands!

We rise!

 

NaPoWriMo – Day 26 prompt

“Write a poem that incorporates a call and response. Calls-and-responses are used in many sermons and hymns (and also in sea chanties!), in which the preacher or singer asks a question or makes an exclamation, and the audience responds with a specific, pre-determined response.”

 

 

 

Rain Is Purple – R.I.P.

Prince,
Rest in peace
Purple rain

R.I.P
Rip
Ripe
Ripen
Pence
Inspire
Piece nest
Ice lune
Price spare
Pain plan
Lunar pep
Rap spine
Sprain lips
Spur plea

Plea sure
Pleasure
Sure Please
Press ace
Arise in place
Ripen rules
Air Please
Sure tear
It is pain
Purple rain

C’est peine

Rest In Peace, Prince

Rain Is Purple, R.I.P.